from Tone Poem: Starlight and Stardust

 

 

                                                                                                    for Jazz Ian Perry

 

Fergus McCreadie, Forest Floor
(Music Room, Liverpool, 1 March 2023 and
13 May 2024)

for David Hynes

 

flights of uninflected prog rock keyboard riffs

on a grand

            entuning furze and heather hills

and dawning moods

 

cluster into static chords –

 

            landslides of tumbling

            notes and left-hand

            thunder

 

white water pouring impurely

down contrapuntal ravines

 

under constant drizzle

misting imagined vistas:

 

            shouts of sheltering shorebirds

 

            against drones, folksong chimes

            and flights

                        of…

 

 

Daniel Herskedal, Out of the Fog

 

low bellowing below the singing

submarine walrus chorus

in a music language

underlying audition:

 

                                    mist, freezing fog, dusk,

                                    obscuring unruffled sea

 

                                    muffling brass

                                    canons announce the

                                    vibrating

                                    approach of perdition –

 

                                                long tuckets

                                                in thickets

                                                of miasmal

                                                distance –

 

sea-elephant foot-beats

against the silver surface

above

 

 

 

 

 

                                                            Mário Laginha, Jangada

 

 

                        gentle piano runs

rise,

                        rolling round like a soundtrack for

                        an unfilmed silent movie

 

of Atlantic waves

 

                        till the bass and drums

                        invade and vision fades

 

                        into pure sonics

                        (as it should be) –

                        solo piano lines

                        trailing

                        the set up

and set out upon

by pilgrim ears!

Strength

in the flood swells

                        with just enough discordance

                        to shove the chordwork sideways

 

without release

until release

releases

 

                        the patterns

                        from pattern in one long sustain –

 

 

 

                                                Cecile McLaren Salvant, Mélusine

 

 

the celestial celeste sparks

 

she skips from bass note to bass note

 

until hand drums slap the face of time

 

and its cheeks flush with shame

 

and desire –

 

 

 

 

.

Robert Sheppard

 

 

 

 

.

 

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