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Bodies and Other Strangers


Rupert Loydell

A Vision of Dystopia


Dominic Rivron

What We Learnt From The Game


Kushal Poddar
Picture Nick Victor

 

Britannia Coconut Dancers…it’s a long, strange tale indeed!

 

Alan Dearling

Time Capsule


Andrew Taylor 

Only fools/Schlump


Gary Mead

Bippety and Boppety Discuss Complicated Processes Carried Out On Primary Data Flows

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Martin Stannard
Picture Rupert Loydell

Freedom in Spring — For Helen  春天的自在——给海伦

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Ma Yongbo & Helen Pletts

Could You?


He Said

RE:ENCHANT


DAVID ERDOS
STEVE NORTH

Wooden Heart


Stephen A. Linstead

Stone Envelope


Gopal Lahiri 
Picture Nick Victor

The Materialism of Experience


Ben Crisp

Your Inner Beauty


© Sushant Thapa
Picture Nick Victor

Duplicate Publishing Fair

FIRST DATE


Steven Taylor

SACRED TO APOLLO


Bernard Saint
Illustration: Claire Palmer

what if 


Jeff Cloves

At Home


Malcolm Paul 
Picture Nick Victor

Wands and scythes


Mark Valentine

A Murder of Crows

Edward Barker

For the Horrid Ground Weaver Spiders of Plymouth

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Heidi Stephenson

Law


Giles Goodland

Direction


Sanjeev Sethi
Picture Nick Victor

A Lament to Death, Roses, and the Passing of Time

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Andrew Darlington

Silence Runs Bleeding 


Kushal Poddar
Picture and words

A Dream


Syed Noor Hussain

Iterative Resituation and the Agile Worker

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Oz Hardwick
Picture Nick Victor

HOT FRUIT MIX – APRIL 2025


Alice Platt
Colin Gibson

Send Words, Pictures, Music, Films



internationaltimesmag
@gmail.com

 

 

 

 

 

 

 

 

 

 

 

 

SAUSAGE Life 320


Colin Gibson

The Sentimentalists


Alan Dearling

The Ratings Game


Oz Hardwick
Picture Nick Victor

EASTER SUNDAY


Steven Taylor
Picture Nick Victor

Ode to the Goths


Malcolm Paul

Experimental Films of the 1960s


Evan Chester

Bippety and Boppety Watch ‘Silent Witness’ Together

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Martin Stannard
Picture Rupert Loydell

Olfactory 


Kushal Poddar
Picture Nick Victor

Plymouth Sound?


Heidi Stephenson

The evening throws us light in a salmon pink 夜色将我们笼罩在鲑鱼的粉色之中 

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Helen Pletts & Ma Yongbo
Art: Pierre Bonnard

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