from Hariot Double

from Hariot Double

Mondegreen Snips

Those who would join
start at a sort of nominal wage
then climb
by shirtfront rules
on a maxed-out card

While the music goes east to find piles
had a rag on (see Jamaica)
tom-tom agents coach and curate

Buy-to-leave, a glass ridge over spongy caverns
further away than a valium picnic

Sky cigarette lighter
no incinerator (me and Cinderella)
              room for bikes and a wellness suite

Whose guide vox pierces the date
Starbucks loners (list of ex-lovers)
with a lesser loudmouth sting
never leave (be) your pizza burning
(beast of burden)

Credit assumes the chronic dye plan
boner (rose) in her hair
              way got why got they don’t care

You can occupy this but it’s only ever
the wrong temple, gladly the cross-eyed bear

(Cross I’ll bear) will project rubbish
where the heart is pure
like some Crimean (cry me a) river

Arsie-varsie
on seen it all chairs

 

Crystal Lattice

He came out of the Clifton—doors, windows
boarded up. The piano is dead, the stone
is worth more than conversation. Oak panels,
mirrors trashed. Bertie’s silhouette swings,
scent of Lillie in the wind. Non dom angles
for another use.

Photos of my uncle and cousin, June 1954,
when they lived on the corner of St John’s Wood
and Edgware Road. A local for my father too,
across from Abbey Road. If I came trailing
I can’t remember, but Patrick, age seven,
has his nose in a book, Brownie ‘box’ on the table.

In the back garden—shrubs, a barrel, tubular chairs,
umbrella-arc over pint glasses. Out front a long view
past 90, 92 and 94, all Mrs Reynall’s, at least
by the late Fifties. Just one car parked in the distance.

The pub is cross-hatched for perspective,
a future drawing. Mania to quantify
like that other Harriot. Nature is mechanical
but then it is not seen that mechanics
contain that which is beyond mechanics.

A building, a person, a tree resolve into figures.

Stuff in the frame lies ready to rouse.
Joe tells a joke, plays a stringish piece, solo—
Forties through Sixties, well navigated.

Will it resurrect? Something zigzags
through a pinboard.

 

Red Desert

Big Ben, the river, embankment
half-blanked out—abstract
blotches. You breathe
indoors, brake dust and diesel
lidded by what they call
a perfect storm.

It’s not Shanghai, it’s not Beijing
but something’s painted
the street. It tickles your throat,
tastes metallic.

We’re martians in Africa, find
by dot-dash buzzes, leave
grey fruit in a barrow.
Today lurches: the paper falls
from wall to pavement
at just the point you step.
Starlings fly another route.

What’s that? Soprano shivers
someone’s lost orbit. Drone
of a bell, a horn, or is it a scream?
Aummm, wye-nnn, the crave
to go over.

Any story comes in jagged pieces
with the heart outside.
Earth ferments to say a kiss
won’t cure it.

Our trees are pipes and girders,
a ship sails through the park.

 

Gavin Selerie
Illustration Nick Victor

 

 


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